Virginian, Keller Williams, released his first album in 1994, FREEK, and has since given each of his albums a single syllable title: BUZZ, SPUN, BREATHE, LOOP, LAUGH, HOME, DANCE, STAGE, GRASS, DREAM, TWELVE, LIVE, ODD, THIEF, KIDS, BASS, PICK, FUNK, VAPE, SYNC, RAW, SANS, ADD, SPEED, CELL, DROLL and now DEER. Each title serves as a concise summation of the concept guiding each project. Keller’s albums reflect his pursuit to create music that sounds like nothing else. Un-beholden to conventionalism, he seamlessly crosses genre boundaries. The end product is music that encompasses rock, jazz, funk and bluegrass, and always keeps the audience on their feet. Keller built his reputation initially on his engaging live performances, no two of which are ever alike. For most of his career he has performed solo. His stage shows are rooted around Keller singing his compositions and choice cover songs, while accompanying himself on acoustic guitar, bass, guitar synthesizer and drum samples; a technique called live phrase sampling or“looping”. The end result often leans toward a hybrid of alternative folk and groovy electronica, a genre Keller jokingly calls “acoustic dance music” or ADM.” Keller’s constant evolution has led to numerous band projects as well; Keller & The Keels, Grateful Grass, KWahtro, Keller and the Travelin’ McCourys, Grateful Gospel, More Than A Little and most recently DeadPettyKellerGrass. You can even catch him from time to time going back to his troubadour roots with his “Shut the Folk Up and Listen” series. Keller can be found playing clubs and festivals with these projects and his tried and true solo looping show, always changing things up and keeping moving.
With a nod to the past and a wink to the future from behind their sunglasses, Baltimore’s The Dirty Grass Players have been pushing the leading edge of bluegrass music since 2015. As convincing on a 10-minute jam as they are on a 2-minute classic, they find an intersection between progress and tradition that in one set could inspire Flatt & Scruggs to reunite and then break up all over again. With harmonies to please any purist, compositions fresh enough to have been written tomorrow, and improvisations that fearlessly stride to the end of every limb, this band can play as clean as anybody, but isn’t afraid to get a little dirty.
After starting with jams between founders Ben Kolakowski (guitar) and Ryan Rogers (mandolin), DGP quickly made a name in the Baltimore scene before hitting the road. Since then, they’ve toured the US and Europe and made appearances at festivals like Grey Fox, DelFest, Dark Star Jubilee, ROMP, Bristol Rhythm & Roots, and the Rotterdam Bluegrass Festival.